Supplementary Benefit (Compilation)

by Storm Bugs

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Review by Ed Pinsent from: the Sound Projector magazine - 16th Issue.

An extremely satisfying and coherent spin, this excellent LP compiles some of the finest Storm Bugs work released on vinyl and cassette during 1978- 1981. Some of the cuts have appeared on that previous CD compilation Let's Go Outside and Get it Over, but this LP scoops the prize for being more comprehensive and complete, and laying out the songs in a meaningful order. It also follows a schema of sorts – side B contains all electronic music, side A represents the 'clunky bedroom' side of the duo, Philip Sanderson and Steven Ball.

The 'Table Matters' EP was released on vinyl by Loop Records in 1980; it's five tracks of edgy, clattering mayhem, made with a combination of electronics, radios, guitars, tape loops, percussion and much more. Effectively a Sanderson solo set, this EP displays wild and rugged invention compressed into short bursts of electrifying genius; four of the cuts are only two minutes apiece. Using found spoken word tapes and warped voicings, Storm Bugs deliver something that is not so much a critique of consumerism, as a semi-nightmarish distorted view of shopping in England in 1980, replete with Kwik-Save signs, shoddy goods, and futile attempts to keep customers happy. ‘Table Matters’ is almost their Santa Dog; it's a perfect cryptic statement, almost inexhaustible in content, transpires in less than 15 minutes and leaves you feeling troubled for days. Great!

We also got both sides of the 'Car Situations' single, of which the flipside 'Tin' is something Sanderson refers to as pseudo-rockabilly using a percussion loop arrived at by very devious means. Yet 'Tin' is as catchy a pop tune as they ever recorded, with some delightful guitar riffing from Ball.

Side 2 of the LP features six examples of their work with the VCS3 synth, the Sythi-Bug, and short-wave radio; these are rescued from cassettes released on Sanderson's Snatch Tapes label, including Dark Cuttings, Gift, Storm Bugs and A Safe Substitute. Generally longer than the 'poppy' material on the first side, these extremely strange instrumentals give the impression of something infinite and endless, cautious explorations made across foggy and unknown territories. Both 'Hodge' and 'Blackheath Episode' are exceptionally strong experiments in electronic music, but by the time you're stranded in the middle of 'He Rose Up Again', you will be feeling almost dizzy with the doubt, fear and sheer bewilderment that seems to be embedded in every minute of this music. Ball's abstract scrapy guitar work on 'Hiemal (And She Blew)' is most notable, and it's a shame there aren't more examples of that metallic guitar noise combined so effectively with the VCS3 work; it's one of those rare moments when the separate contributions of the Bugs are fused together perfectly. Sanderson's edgier guitar work is demonstrated on 'Slow Along the Wire', a 90-second miniature of trembling angst.

File this alongside the estimable Snatch Paste compilation LP and we have an emerging picture of the Storm Bugs / Snatch Tapes aesthetic. There may not be much of this material available, but Sanderson and Ball are to be commended for the very inventive ways in which they explored their ideas, and they have rendered unique visions of the psychic underside of England, visions as palpable as the monochromatic photograph (by Ball) on the back cover which celebrates the horrors of suburbia with an enquiring eye.

credits

released December 27, 2013

Credits: Tracks 4,5 & 8 by Philip Sanderson & Steven Ball, all other tracks by Philip Sanderson. Sleeve design by Storm Bugs with photography by Steven Ball. The front cover shows proposed people flow in a Social Security office (from a book of designs for same).

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about

Storm Bugs London, UK

Between 1978-81 Storm Bugs released 3 cassettes on the Snatch Tapes label and two 7-inch records: the Table Matters EP and the Metamorphose single. In 2002 the band released an EP of new material, The Bugs Are Back. In 2012 Storm Bugs performed live for the first time in 30 years at the Rammel Weekender. ... more

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Track Name: Cash Wash , Eat Good Beans, Make Customers Matter
Cash Wash
cash wash, cash wash, cash wash.

Eat Good Beans
Eat Good Beans with your meat
I said eat good beans with your meat
It'll make you skin go brown

Eat Good Beans with your meat
I said eat good beans with your meat
It'll makes your breasts grow round

Eat Good Beans with your meat
I said eat good beans with your meat
The fruit seller wears a felt hat
His wife sits at home in the council flat
He parks the car by the porch
He's cooked her more time than he's cooked the pork
I said eat good beans with your meat

Eat Good Beans with your meat
I said eat good beans with your meat
Eat Good Beans with your meat
Track Name: Window Shopping
It's winter, the lamb crackles in the animal fat,
whilst outside we go from shop to shop in street after street
Window shopping, window shop

The stink of milk and baby fat,
the stinking of the gin under the concrete mat
The stink of milk and baby fat,
whilst outside we go from shop to shop in street after street
Window shopping, window shop
Track Name: Car Situations
Changing it would be dead
Take a child on holiday
Slits...
Take a child on holiday
Take a child on holiday

Car situations, included in so many places
If it were not changing it would be dead
Take a child on holiday
Take a child on holiday

It was repeated so often she was immobile
A chart was used to draw a line between the slits
Take a child on holiday
Take a child on holiday

Who makes the birds sing at night
Who makes them I ask you
Actually the climate is quite suitable
Let's go outside and get it over

Take a child on holiday
Take a child on holiday
Take a child on holiday
Take a child on holiday
Track Name: Tin
Grey March wood
I Misunderstood
All logics away now
All logics away now
All logics away now
All logics away now
Our needs are so common I can't understand them
Pushing and pulling I can't understand you
Pushing and pulling I can't understand you

Footfall wood
They understood
All logics away now
All logics away now
All logics away now
All logics away now
Our needs are so common I can't understand them
Pushing and pulling I can't understand you
Pushing and pulling I can't understand you

Optical grey, military training
Optical grey, military training
Optical grey, military training
Optical grey, military training
Optical grey, military training
Optical grey, military training
Optical grey, military training
Optical grey, military training
Optical grey, military training

Grey left wood
We all understood
All logics away now
All logics away now
All logics away now
All logics away now
Our needs are so common I can't understand them
Pushing and pulling I can't understand you
Pushing and pulling I can't understand you